St. Maria Goretti, Martyr

"Yes, for the love of Jesus, I forgive him . . . and want him to be in paradise with me."

-Maria Goretti

The film version of her life (which I love) is available here! And I'm real picky about my movies. It comes in Italian or English Dub.

St. Francis of Assisi

Staying up painting saints... again.

Jesus, if you want it so do I!

Thank you everyone for your ideas! I'm especially looking forward to drawing during adoration, I never thought to do it before (merci Allison!). I think my next entry will be a fun little exploration of the Church Calendar and all it's colors, perfumes and feasts... Pie chart time! For now I leave you with the testimony of the beautiful Chiara Luce Bandano who continually challenges me with her witness and the simple phrase, "For you, Jesus. If you wish it, so do I!"



Happy, happy, joy, joy!

Fabi

St. Joseph and The Little Lamb

This St. Joseph painting was a late night personal project that I did after work in about three days. Fr. John Gerth* was quick to point out that Joseph would never wear this, but I just shouted back indignantly at him, "It's symbolic!" And then he pointed out that he was a little huge... "It's symbolic!" I said my face red with frustration... (This memory is really funny if I pretend to be mad in it, but I wasn't very, alas.)

I'll take you through a short version of my step by step process to getting this kind of effect, but there are no fancy secrets. (You have to know basic Photoshop to understand this, but if you have a question feel free to ask me.)

1) I made a pencil drawing in my sketch book, keeping in mind my main the simple concept of St. Joseph being a protector of Little Jesus.

2) I scanned it and imported into Photoshop and put the drawing on MULTIPLY.

3) I colored in all the different sections of the drawing with a 100% opacity basic brush. The colors aren't the exact ones I used but enough so I had an idea of what color everything was.

4)Then I went to town and just played with lighting so I knew what I'd be working with. Again, the colors didn't have to be perfect but quick so I could get many different variations in a short period of time to pick from.

5) After that I began my "finish" mode. I gave the ground colors texture with a gritty brush and varying colors, all the while refining my color decisions.

6) I then built up the light from the different directions I had chosen. It's best to vary the color of different light sources (warmer or cooler).

I don't follow exact step by step methods very well, I like jumping around as I see things that need to be addressed. Don't be afraid to play around and mess up (I hate messing up, it hurts my fat pride), but it's the best way to learn new skills.

Hope this was even slightly helpful!

love,

Fabi

*Fr. J is a cool priest better known through http://www.lifeteen.com